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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Viennese trichord ： ウィキペディア英語版 Viennese trichord __NOTOC__ In music theory, a Viennese trichord (also Viennese fourth chord and tritone-fourth chord〔), named for the Second Viennese School, is prime form <0,1,6>. It has Forte #3-5. As opposed to Hindemith and 037 (), "Composers such as Webern ... are partial to 016 trichords, given their 'more dissonant' inclusion of ics 1 and 6."〔Henry Martin (Winter, 2000). "Seven Steps to Heaven: A Species Approach to Twentieth-Century Analysis and Composition", p.149, ''Perspectives of New Music'', Vol. 38, No. 1, pp. 129-168.〕 In jazz and popular music, the chord usually has a dominant function, being the third, seventh, and added sixth/thirteenth of a dominant chord with elided root〔Forte, Allen (2000). "Harmonic Relations: American Popular Harmonies (1925-1950) and Their European Kin", pp. 5-36, ''Traditions, Institutions, and American Popular Music'' (''Contemporary Music Review'', Vol. 19, Part 1), p. 7. Routledge. Covach, John and Everett, Walter; eds. ISBN 90-5755-120-9.〕 (and fifth, see jazz chord). ==Sources== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Viennese trichord」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.